Author: Megan Hess

Megan Hess is an editor in New York City. No Joe Schmo is her side hustle. You can follow her on Twitter at @mhess4.

The Chop Master

Early on a Sunday morning in Hong Kong, nestled away in a pedestrian alleyway in the residential neighborhood of Sheung Wan, one stall among dozens is open. It belongs to Ng Kam Chun, a reserved 57-year-old man whose work most Hong Kongers have likely seen without knowing it.

Ng’s business, like that of all the stalls lining Man Wa Lane, is customized chops — traditional, necessary tools for doing business in Hong Kong, China, and beyond. A chop is essentially a square-shaped seal made of jade, marble, or wood with the owner’s name engraved onto the bottom, which is used to stamp a “signature” on important documents, cheques, and contracts. Chops symbolize a company’s identity, and in many offices are kept in safes.

Every nook and cranny in Ng Kam Chun’s tiny stall, which can fit two people shoulder-to-shoulder if you’re really squeezing, is filled with shelves that hold boxes and boxes of blank chops — slabs of stone waiting to be carved. Ng estimates there must be around 10,000 in there. 

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Hong Kong’s Last Female Mahjong Tile Carver

Ho Sau-Mei, a slight, spry 62-year-old, is the only female mahjong tile carver left in Hong Kong — that she knows of.

Her shop, Kam Fat Mahjong, is a tiny alcove squeezed beneath a staircase, about 6 feet wide and twice as deep. It’s partially enclosed by a glass-topped counter that displays tiles engraved with various suits: bamboo sticks, wheels, and Chinese characters. A dust-caked glass case lining one wall contains stacks and stacks of others, leaving just enough space for a yellowing photo of Ho at age 13, when she first learned how to carve from a sifu, or mahjong master. The shop was her family’s home when they first settled in Hung Hom, on the Kowloon side of Hong Kong, in the early 1960s.

Fluorescent lights and natural sunlight keep the place lit, but Ho’s eyes aren’t as good as they used to be. She relies on a small wooden box with an affixed bulb that emits a glow directly over her workspace, which also serves to warm up tiles and make them more pliable to carve.

“That way, I don’t need to use as much strength,” says Ho.

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The Merriam-Webster Lexicographer

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“The job of a lexicographer is to explain language to people, and the internet gives you all sorts of new ways to do that. We can talk about the differences between commonly confused words using emoji on Twitter.”

When people learn about Kory Stamper’s job, some respond with confusion. “They ask, Hasn’t the dictionary already been written? I have it right here, I got it when I graduated from high school,” Stamper says. What they don’t understand is that language is always growing and evolving — and so must the dictionary.

Stamper, who has worked at Merriam-Webster for 19 years, still marvels at how the internet has changed her job. She shrugs at complaints about the recent additions of terms like “OMG” or “selfie.”

“We’re always dealing with some kind of blowback because language is so personal. It’s how we communicate,” Stamper says. But the Merriam-Webster staff treats it like any other job, where one would naturally set aside emotion in a business transaction: They dismiss linguistic prejudice and evaluate new words based on a set of three criteria.

One editor specifically handles a word’s first date of written use; one editor handles words’ etymologies; four science editors are divided by specialty; two cross-reference editors make sure definitions only include words already in the dictionary; the pronunciation editor looks at every word, sometimes pulling pronunciations from YouTube. Then, of course, there are proofreaders and copy editors.

But every editor at Merriam-Webster, regardless of title, is involved in the making of dictionaries, Stamper says. Even when that means rejecting countless requests to add “covfefe.”

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The Guru of Good Manners

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Photo: Brook Cristopher

Myka Meier doesn’t own a single pair of sweatpants. Or jeans.

Those statements make a little more sense when you learn her background. Meier is an etiquette expert who trained under a former member of Queen Elizabeth II’s royal household, and now runs a finishing program called Beaumont Etiquette.

That might conjure memories of The Princess Diaries, or antiquated values of how a lady should act in public. (Cue eye roll.) While much of her work does focus on the outward — maintaining eye contact and good posture — it all stems from inspiring a sense of confidence and respect, Meier says.

“It’s not about holding forks and knives correctly. Etiquette is about treating others kindly, and that never goes out of style,” she says. Fair enough. Many are so reliant on technology to make connections, we’re at a loss when it comes to holding actual conversation around a dinner table of, say, new colleagues.

Clearly, Meier has hit on something salient; she sees thousands and thousands of clients each year, and her etiquette courses at The Plaza Hotel in New York City have sold out. (They’ve since opened more.) The topics covered in her classes range from ghosting to when it’s OK to sleep with someone: not your grandma’s etiquette classes.

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The Only Female Pro Skywriter in America

Asbury-Oliver, several decades ago while working as Pepsi’s skywriter. Look closely for the “Suzanne” painted on the plane’s side. Image: airandspace.si.edu

The first time Suzanne Asbury-Oliver flew a plane, she was 14 years old. That was the easy stuff, in a sailplane, back when she could actually see in front of her.

As a skywriter for Pepsi, Asbury-Oliver spent 25 years crafting messages with smoke in the sky, frequently taking her dog along for the ride in the front seat. She flew an antique biplane, which completely obscures one’s line of vision. That means she’s writing the mirror image of words at 10,000 feet above Earth, effectively with her eyes closed. “It’s seat-of-the-pants-type flying,” she says.

Now, without a corporate sponsor, she and her husband own their own plane and skywriting business called Olivers Flying Circus. They received plenty of requests in the leadup and aftermath of Nov. 8 — yes, just like the ones you’re imagining — but Asbury-Oliver refused, on a no-negativity principle.

Since letters only last in the sky about 10 minutes, the beginning of a word will sometimes disappear by the time that word is finished, but Asbury-Oliver doesn’t worry about that. “It’s like a ticker tape; you know what it says even if the first letters are gone,” she says. Or, more fittingly, like an original Snapchat — except, of course, that anyone within a 20-mile radius can see it if they simply look up.

The most crucial lesson Asbury-Oliver has learned from a career in skywriting is survival. “Never fly straight over a swamp,” she advises sagely. “If you have an engine failure and end up going down, nobody will find you, except the alligators.”

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The Voice of the Scripps National Spelling Bee

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“Spelling is kind of a gateway skill, like arithmetic,” Bailly says. “It’s nowhere near the destination.”

During the Scripps National Spelling Bee, your eyes are probably glued to a single microphone: the one on stage, which students grip each year as though their lives depended on it.

But behind another mic, just a few feet away, sits a man who’s been at every Scripps bee since 1991: the official pronouncer, Jacques Bailly, who won the bee himself in 1980. But his job is much more than reading a list of words. He’s something of an icon among the students. “A lot of spellers want my autograph, which is the best fan club you can imagine,” he says.

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