“How are we gonna kill that person this week?” is a question that Matthew Mungle would periodically ask himself when working on the set of The X-Files in the late 90s. “I couldn’t wait to get the script to see what monster we had to create next.”
That might seem strange for a man with a terrible phobia of blood, but Mungle’s job is hardly within the realm of normal. Though you may not recognize his face, you’ve surely seen the prosthetic makeup Mungle has done in more than 200 film and TV projects, including Bram Stoker’s Dracula, for which he won an Academy Award. And it’s not just faces: He’s also designs prosthetic pensises, breasts, and pregnancy bellies. “We’re known for realistic-looking work,” Mungle says. “We don’t do too many aliens.”
But the work is Frankenstein-esque in the sense that Mungle hatches new creatures from scratch. He and his team may spend an entire month on one effect, like someone’s hand getting cut off in CSI. That work could be edited together so it’s only on screen for four seconds. But hey, those are still pretty impressive bragging rights.